theatre / performance -
visual arts - installations -



ABØUT
   madalena reversa is an artistic project, created in 2016 by Maria Alterno and Richard Pareschi, which blends theater, visual arts, performance and installations

2O2O. Romantic Disaster, live-set performance, finalist at Biennale College directors u.3O

2O19. Blaue Blume, light and sound installation, second phase at Biennale College directors u.3O

2O18. Dreaming Beauty, finalist at Premio Scenario Infanzia

2O17. Blank Composition, selected at Premio Scenario and at Teatro Stabile del Veneto 

2O16. Talking of Michelangelo, is the debut show of the company: it was shortlisted at the Be Festival –– Birmingham


STATEMENT
  The emotional power of a light, a sound, an object, a body on set has always been what we’ve been mostly attracted to of theatre.

Our creations intend experimenting, through a planned combination of elements (lights, sounds, design), atmospheres that release a certain emotion.

Our artistic experimentations are located in a grey area between theatre and visual arts, between performance and installation, where the only essential element is dramaturgy.
 


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RØMANTIC DISASTER
studio 3Omin






2O2O(finalista) VENICE BIENNALE COLLEGE directors under.3O

director Richard Pareschi
dramaturgy Maria Alterno
original music Donato Di Trapani and Lorenzo Tomio
visuals Giulio Boato
recorded voice Loris De Luna
lighting design Mattia Dal Bianco
audio and video technical assistance Francesco Vitaliti
musical contributions Laura Messina, Francesco Aprili
production madalena reversa

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Maria Alterno –– voice
Donato Di Trapani –– synth / live electronics
Richard Pareschi –– voice
Lorenzo Tomio –– guitar - violin / analog devices
  Romantic Disaster is an oxymoron, a romantic gaze at the destruction of Nature and at   Nature as a destructive force. 
The stage setting is a live music performance where digital and analog coexist.
Dramaturgy is a concept album that revolves around the dialectic between the climate change of yesterday and climate change of today.
On the one hand the Global Cooling resulting from the eruption of Mount Tambora in 1815 and on the other the Global Warming we are experiencing now.
However, the centre is always occupied by young people: the activists of Fridays for Future and the three young English poets Keats, Byron and Shelley, who knew nothing of Tambora but the bad weather that it largely caused, impelled them to express their concerns in poetry.
Poetry becomes song, music, battle cry. A Hymn to Beauty that must not die and to the young souls who guard it.


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