SALOMÈ


2024.
theatre – dance

a performance based on the play of Oscar Wilde

concept, directing and set — Maria Alterno and Richard Pareschi
choreography and interpreter — Gloria Dorliguzzo                                                                 sound and music — Donato Di Trapani             light design — Andrea Sanson
technical and sound direction — Francesco Vitaliti
stage mask — Plastikart Studio by Zimmermann & Amoroso                                 graphic design — Federico Lupo         production — madalena reversa in collaboration with Motus VAGUE                     co-production — Triennale Milano Teatro, TPE - Festival delle Colline Torinesi             supported by — C.U.R.A. - Centro Umbro Residenze Artistiche / ZUT!, Anagoor
Salomé is trope, biblical, modern and contemporary, a mirror of fallen humanity in a world of fallen institutions.

It is the climax of the Spirit of their/our Time in the obsession with sight, in the hypertrophy of the ego, in metaphysical boredom, in missed glances at what is sacred and ineffable.
It is the door that opens to barbarism, to the post-hangover silence of everything that follows the overdose, to having believed in some sort of eternal present.
It is an ecstatic and hysterical body, which dissolves into a hieratic indolence, macerated in the wait for "une chose inconnue".
It is a soul sitting within itself, drooling with dark gestures, exhausted by solitary ideas and insidious appeals to sacrilege.

Salomé is an Elegy to absence, until there is no more light, until all that remains is loss.